top of page

Diyahmoon Group

Public·11 members
Elijah Hall
Elijah Hall

Score - Flat And Fucked 2 - Split Scenes 2009



In November 1974, they employed for the first time the large circular screen that would become a staple of their live shows.[326] In 1977, they employed the use of a large inflatable floating pig named "Algie". Filled with helium and propane, Algie, while floating above the audience, would explode with a loud noise during the In the Flesh Tour.[327] The behaviour of the audience during the tour, as well as the large size of the venues, proved a strong influence on their concept album The Wall. The subsequent The Wall Tour featured a 40 feet (12 m) high wall, built from cardboard bricks, constructed between the band and the audience. They projected animations onto the wall, while gaps allowed the audience to view various scenes from the story. They commissioned the creation of several giant inflatables to represent characters from the story.[328] One striking feature of the tour was the performance of "Comfortably Numb". While Waters sang his opening verse, in darkness, Gilmour waited for his cue on top of the wall. When it came, bright blue and white lights would suddenly reveal him. Gilmour stood on a flightcase on castors, an insecure setup supported from behind by a technician. A large hydraulic platform supported both Gilmour and the tech.[329]




Score - Flat And Fucked 2 - Split Scenes 2009


Download: https://www.google.com/url?q=https%3A%2F%2Fjinyurl.com%2F2ufonX&sa=D&sntz=1&usg=AOvVaw0FpVN3SMuAVyM1-nNaXCLx



The three-channel video installation The Experiment (2009), which consists of the videos Forest, Cave and Greed, was first screened in 2009 at the 53rd Venice Biennale. While Greed alludes with Biblical symbols to power, greed and sexual violence within the Catholic Church, Cave and Forest focus on issues of exhibitionism, voyeurism and sadism. At first glance, the colorful figures in painted scenery suggest a cute, funny scene. But the idyll is deceptive: Behind the facade, a world seemingly beyond good and evil comes to light, revealing the abysses of society in a brutally honest fashion. The Plasticine figures live out their sexual desires or are tortured with great brutality. In this way the scenes trigger in the viewer both a sense of fascination with something forbidden and at the same time kindle a sense of repugnance. 041b061a72


About

Welcome to the group! You can connect with other members, ge...

Members

bottom of page